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土的工藝 Earthcraft

土的工藝 Earthcraft

VR、單頻道錄像 single-channel video、磁磚裝置 tile installation
VR: 14'43"、單頻道錄像 single-channel video: 9'30",2022

本作品由愛知三年展委託製作,獲文化部補助
Commissioned by the Aichi Triennale and granted by the Ministry of Culture

Earthcraft is a theme based on the geology of Tokoname, Aichi Prefecture, and the history of the local ceramic industry, presenting the symbiosis between humans and the land. The video part of this work is presented through virtual reality (VR), filmed and produced in the game 'Minecraft'. They build scenarios such as the Aichi landscape, tiles from around the world and toilets, an international airport on a man-made island, the famous local kiln, the old Imperial Hotel and the Guggenheim Museum. The film's voice-over is Miss google, who takes us through these scenes across time and space in her role as a game guide.

The installation is a collaboration with the INAX Live Museum (LIXIL Corporation) in Tokoname to produce the retro tiles referring to the second generation of the Imperial Hotel completed in 1923, and the entire installation is made up of these tiles stacked like cubes in a Minecraft game. The audience can sit in the giant tile installation and watch the VR video while being part of the installation itself. This work combines earth skills and digital technology to depict a geological and technological history through a world on the digital cloud.

《土的工藝》以愛知縣常滑市的地質,以及當地陶瓷產業的歷史為主軸,呈現人類與土地共生的主題。此作品的影像部分是透過VR虛擬實境呈現,是透過在遊戲「Minecraft」中拍攝製作而成,透過與專業玩家社群的合作,他們在遊戲中搭建愛知縣地貌、來自世界各地的磁磚與馬桶、在人造島上的國際機場、當地知名的登窯、舊帝國酒店與古根漢美術館等場景。影片的旁白是由google小姐配音,她以遊戲導覽員的身份,帶領我們穿越在這些跨越不同時空的場景。

作品的裝置部分是與常滑市的INAX Live Museum(LIXIL Corporation)合作,復刻1923年完工的第二代帝國酒店當初的磁磚,整個裝置由這些磁磚組成,並如同Minecraft遊戲中的立方體一樣堆積而成。觀眾可以坐在巨大的磁磚裝置觀看VR虛擬實境影片,同時觀眾自身也成為了裝置的一部分。這件作品結合了土的技術以及數位的技術,透過在數位雲端上的世界,描述一段地質與技術交錯的歷史。













電子流動 Electronic-mobility

電子流動 Electronic-mobility

三頻道錄像裝置 three-channel video installation、真空管收音機 valve radio,2’57”,2022

In Electronic-mobility, Hsu Chia-Wei dives into the technical history of electronic products, starting with the valve radio produced by Panasonic in Taiwan in the 1950s and 60s to the new battery technology of today. This context demonstrates a shift from the analogue to the digital era. In this project, the artist collaborates with XING Mobility to film the production process of the battery and the electric car under the code name “Miss R.” He also invites a rapper to make the technical principles of making valve radio and electric car battery into a rap song. As the speed of the electric F1 race car accelerates, the rapper also switches gears and increases the tempo and pace of speech.

The sound in Electronic-mobility is broadcasted through a vacuum tube radio produced by Panasonic in the 60s, and the video is shown on an LED screen. The overall power required to play the work is from the battery manufactured by XING Mobility. Consequently, the technology of the vacuum tube and the contemporary semiconductor and battery technologies are amalgamated in this installation, whereas the way of electrons flow shows this particular technical history and the sci-fi imagination of the future.


此作品以電子產品背後的技術歷史為主軸,從台灣松下公司在1950、60年代所生產的真空管收音機到今日嶄新的電池科技,這個脈絡也展現了類比到數位時代的轉變。在這個計畫中,藝術家與行競科技合作,拍攝電池製作的生產流程,以及代號MissR的電動車。並邀請饒舌歌手,將真空管收音機以及電動車電池的技術原理編寫成一首饒舌歌曲。隨著電動F1賽車的加速,饒舌也不斷換擋,節奏、語速越來越快。

這件作品的聲音是透過60年代台灣松下所生產的真空管收音機播放,而影像呈現在液晶螢幕上,整體所需的電力則是來自於行競科技的電池。真空管時代的技術與當代半導體及電池技術,兩者在這裝置中交融,其電子流動的方式展現了這段技術的歷史與對未來科幻的想像。