2014年2月17日 星期一

Overdubbing

作品名稱:《疊錄》
時間:11分
呈現方式:雙頻道錄像裝置
創作年代:2011年

作品簡介:
許家維與「輕鬆玩」樂團合作,拍攝「輕鬆玩」樂團排練的場景,以正反投影呈現影像與聲音分開製作的過程;藝術家在這件作品中相當關心畫外場的概念,投影的其中一面是拍攝樂團在練團室的畫面,而另一面則是錄音師在錄音室的畫面。觀眾一次只能看到一個畫面,無法同時看到兩個畫面,必須繞著正反投影觀看才能獲得影像的全貌,了解影像生產的背後的再現與生產過程,同時它也像是懸掛在空中的雕塑。

展出現場舞台呈現的是一批以假亂真的演奏樂器,一堆舞台燈光的擺設,背景播放著事先錄好的樂音,但樂手在現場彈奏的卻是無聲的假樂器。真正有趣的地方是,我們無法在螢幕上看到音樂錄影帶,而是看到拍攝音樂錄影帶的一個現場。在此,觀眾感知到的真實情況是一個不可置信的視界—樂器無法發聲、演唱者雙唇緊閉;換言之,也就是一種想像敘事的真實呈現。

Title: Overdubbing
Total running time: 11 minutes
Presentation: double-channel video installation
Year: 2011

Description:
Hsu Chia-wei partnered with the band “relax-ONE,” filmed the rehearsal of the band “relax-ONE,” and projected on a double-side screen to present the processes of the sight and sound prospectively. The projection used for this work is connected with the concept of off-screen. On the hand, artist shot the band rehearsing at the studio, and on the other hand, the image of the recording engineer is shown. The audiences are only able to see one side at a time and are not able to see both setting simultaneously. They have to walk around the projection because by looking only at one side, they are not able to comprehend what the image is about. What is behind the image is a process of reemergence and production; at the same time, it is also a sculpture suspended in the air.

On display on site are some instruments and stage lightings, and playing on the background is pre-recorded music. However. what the musicians are playing on site are fake soundless instruments. The most interesting aspect is that we are not able to see the music video on screen; instead, what is shown is the set where the music video was made. Presented to the audiences is a visual setting that is quite bizarre, with instruments that are soundless and performers with heir mouths shut. In other words, it is an act of realistically portraying something imaginative.



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